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Masters Theses from 2013

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No Ordinary Pilgrim: Margery Kempe and Her Quest for Validation, Authority, and Unique Identity, Alice A. Barfoot

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The Trope of Domesticity: Neo-Slave Narrative Satire on Patriarchy and Black Masculinity, Darrell E. Coleman

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The Objectification of Women in Cane, Claudia M. Davis

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Liminal Identity in Willa Cather's "The Professor's House", Alexandra D. DeBiase

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Passive and Active Masculinities in Disney's Fairy Tale Films, Grace DuGar

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The Synthesis of Anglo-Saxon and Christian Traditions in the Old English Judith, Sarah E. Eakin

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Invoking the Incubus: Mary Shelly's Use of the Demon-Lover Tradition in Frankenstein, Christopher M. Lamphear

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Interpretations of Fear and Anxiety in Gothic-Postmodern Fiction: an Analysis of the Secret History by Donna Tartt, Stacey A. Litzler

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Civilization Is Going to Pieces: Crime, Morality, and Their Role in the Great Gatsby, Kathryn F. Machcinski

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Art Spiegelman's Maus as a Heteroglossic Text, Dane H. Minich

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Examining the Tribal "Other" in American Post-Apocalyptic Fiction, Alicia M. Pavelecky Alicia M.

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Emerging Imagery: the Great Famine in Nineteenth Century Irish Lit, Barbara A. Pitrone

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Othering, Mirroring, and Identity in John Edgar Wideman's Brothers and Keepers, James E. Walker

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Romance and Identity in Flight Club, Jacob Wiker

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Liberating the Sexed Body: Oscar Wilde Erodes Victorian Conventions as a New World Is Created in the Importance of Being Earnest, Amber M. Wulu