Submissions from 2013
Navigating the Worldly and the Divine: Jewish American Artists on Judaism and Their Art, Samantha Baskind
Submissions from 2012
Allegory vs. Authenticity: The Commission and Reception of Howard Chandler Christy's The Signing of the Constitution of the United States, Samantha Baskind
Submissions from 2011
Looking Jewish: The State of Research on Modern Jewish Art, Samantha Baskind and Larry Silver
Jack Levine (1915-2010): A Real Human Guy, Samantha Baskind
Submissions from 2010
Versions of Pygmalion in the Illuminated Roman de la Rose (Oxford, Bodleian Library, Ms. Douce 195): The Artist and the Work of Art, Marian Bleeke
Weegee's Jewishness, Samantha Baskind
Considering Female Agency: Hildegard of Bingen and Francesca Woodman, Marian Bleeke
Submissions from 2009
'Everybody thought I was Catholic': Audrey Flack’s Jewish Identity, Samantha Baskind
Imaging the Book: Jewish Artists and the Bible in Twentieth-Century America, Samantha Baskind
Submissions from 2007
The Fockerized Jew?: Questioning Jewishness as Cool in American Popular Entertainment, Samantha Baskind
Bernard Picart’s Etchings of Amsterdam’s Jews, Samantha Baskind
Distinguishing the Distinction: Picturing Ashkenazi and Sephardic Jews in Seventeenth- and Eighteenth- Century Amsterdam, Samantha Baskind
Midrash and the Jewish American Experience in Jack Levine's Planning Solomon's Temple, Samantha Baskind
Submissions from 2004
The "True" Story: LIFE Magazine, Horace Bristol, and John Steinbeck's The Grapes of Wrath, Samantha Baskind
Submissions from 2002
Everyone to His Quarter: Ethnic Interaction, Emulation, and Change in Itsekiri Visual Culture, Kathy Curnow
Submissions from 1997
The Art of Fasting: Benin's Ague Ceremony, Kathy Curnow
Prestige and the Gentleman: Benin's Ideal Man, Kathy Curnow
The Art of Fasting: Benin's Ague Ceremony, Kathy Curnow
