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Religio Medici
Brooke Conti and Reid Barbour
The first truly complete edition of Browne presents in full all of his writings, in print and in manuscript. It situates Browne's natural philosophy, antiquarianism, and theology within the landscape of the mechanical and experimental philosophies already established or emergent in his lifetime. The eight volumes are organised in chronological order of composition to show this polymathic writer at work over a lifetime, revising and adjusting in a process of ongoing intellectual refinement. Each volume includes a full textual and critical notational apparatus, and ample historical and textual introductions, all intended to appeal to scholars and students alike.
Volume 1 presents the first comparative edition of Religio Medici ever to appear. It includes the 1643 authorized print version as well as the first manuscript witness and a representative of several middle-stage witnesses, to offer an authoritative overview of the evolution of this remarkable and influential work. The three textual witnesses are fully annotated textually and critically; the volumes include extensive general and textual introductions to a complex composition.
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The Secret History in Literature, 1660-1820
Rachel K. Carnell
Secret history, with its claim to expose secrets of state and the sexual intrigues of monarchs and ministers, alarmed and thrilled readers across Europe and America from the mid-seventeenth to the mid-nineteenth century. Scholars have recognised for some time the important position that the genre occupies within the literary and political culture of the Enlightenment. Of interest to students of British, French and American literature, as well as political and intellectual history, this new volume of essays demonstrates for the first time the extent of secret history's interaction with different literary traditions, including epic poetry, Restoration drama, periodicals, and slave narratives. It reveals secret history's impact on authors, readers, and the book trade in England, France, and America throughout the long eighteenth century. In doing so, it offers a case study for approaching questions of genre at moments when political and cultural shifts put strain on traditional generic categories.
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