Document Type
Article
Filename
Feminism&BronteCarnell.pdf
Publication Date
6-1-1998
Publication Title
Nineteenth-Century Literature
Keywords
Narration, rhetoric, women in literature, english literature, criticism, social attitudes, public sphere, feminism
Abstract
The bipartite narrative structure of Anne Brontë's 'The Tenant of Wildfell Hall' (1848) has been interpreted recently as an attempt to subvert the traditional Victorian rubric of separate spheres. Reconsidering this novel in terms of Jürgen Habermas's concept of the 18th-century public sphere broadens the historical context for the way we understand the separate spheres. Within Brontë's critique of Victorian gender roles, we may identify a reluctance to address the Chartist-influenced class challenges to an older version of the public good. In hearkening back to an 18th-century model of the public sphere, Brontë espouses not so much a 20th-century-style challenge to the Victorian model of separate spheres as a 19th-century-style nostalgia for the classical liberal model of bourgeois public debate. At the same time, the awkward rupture in Brontë's narrative represents the inherent contradictions between the different levels of discourse - literary, political, and scientific - within the public sphere itself and the complex ways in which these contradictions are both accorded and denied cultural power.
Recommended Citation
Carnell, Rachel, "Feminism and the Public Sphere in Anne Brontë's The Tenant of Wildfell Hall" (1998). English Faculty Publications. 25.
https://engagedscholarship.csuohio.edu/cleng_facpub/25
Version
Publisher's PDF
Publisher's Statement
Article originally published as Carnell, Rachel. K, "Feminism and the Public Sphere in Anne Brontë's The Tenant of Wildfell Hall," Nineteenth-Century Literature, Vol. 53, No. 1 (June 1998): 1-24. © 1998 by The University of California Press.
