Submissions from 2023
Review of Andrew Hadfield, John Donne: In the Shadow of Religion, Brooke Conti
Introduction: Cluster on the SOcial Value of Medieval Studies, Gregory M. Sadlek
Ethical and Legal Aspects Related to the Contributions of Emeriti Professors to the Public Good, Gregory M. Sadlek and Lucija Cok
Submissions from 2021
Milton’s Ladies, Brooke Conti
Submissions from 2020
I planted the sun in the middle of the sky like a flag: In and of Etel Adnan’s Arab Apocalypse, Hilary Plum
African Americans and the Great Migration: Common Migration Themes and Their Importance in Isabel Wilkerson's The Warmth of Other Suns, Gregory M. Sadlek
Submissions from 2019
Milton, Jerome, and Apocalyptic Virginity, Brooke Conti
Devotional Prose, Brooke Conti
Prayer, Brooke Conti
Review of Lara Crowley, Manuscript Matters: Reading John Donne’s Poetry and Prose in Early Modern England, Brooke Conti
Submissions from 2018
Using Digital Rhetoric in a Multimodal Assignment to Disrupt Traditional Academic Writing: Conventions in a First-Year Writing Classroom, Melanie Gagich
Review of W. B. Patterson, Thomas Fuller: Discovering England’s Religious Past, Brooke Conti
Submissions from 2017
Ophelia's Desire, James J. Marino
Harry Bailly’s Labor and Time Consciousness on Chaucer’s Canterbury Pilgrimage, Gregory M. Sadlek and James M. Dean
Submissions from 2016
Review of Sara S. Poor and Nigel Smith, eds., Mysticism and Reform, 1400–1750, Brooke Conti
Submissions from 2015
Shylock Celebrates Easter, Brooke Conti
Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard
Slipping from Secret History to Novel, Rachel K. Carnell
Submissions from 2014
Burbage's Father's Ghost, James J. Marino
To Be a Man: A Re-Assessment of Black Masculinity in Lorraine Hansberry's A Raisin in the Sun and Les Blancs, Julie M. Burrell
Eliza Haywood and the Narratological Tropes of Secret History, Rachel K. Carnell
The Repetition of Violence and History: William Trevor's 'Lost Ground', Jennifer Jeffers
Otium, Negotium, and the Fear of Acedia in the Writings of England’s Abstracts Late Medieval Ricardian Poets, Gregory M. Sadlek
Review of Rethinking the South English Legendaries, Gregory M. Sadlek
Distinctly Cleveland: How the Arts are Helping to Revitalize Rust Belt Cities, Gregory M. Sadlek and Joan Chase
Submissions from 2013
Defoe and the Whig Novel: A Reading of the Major Fiction (Review), Rachel K. Carnell
Moral Reform in Comedy and Culture, 1696-1747 & Dangerous Women, Libertine Epicures, and the Rise of Sensibility, 1670-1730. (Review), Rachel Carnell
Review: Childress, Alice. Selected Plays., Julie M. Burrell
Clarissa: An Abridged Version (Review), Rachel K. Carnell
Reading Austen's Lady Susan as Tory Secret History, Rachel K. Carnell
Submissions from 2012
Force or Fraud: British Seduction Stories and the Problem of Resistance, 1660-1760, by Toni Bowers. (Review), Rachel Carnell and Toni Bowers
Submissions from 2011
Romantic Transports: Tabitha Tenney's Female Quixotism in Transatlantic Context, Rachel Carnell and Alison Tracy Hale
The Protestant Whore: Courtesan Narrative & Religious Controversy in England, 1680-1750 (Review), Rachel K. Carnell
Book Review: Women and Ireland as Beckett's Lost Others, Jennifer Jeffers
Performance Review: All That Fall for Everyone in Cleveland, Jennifer Jeffers
The Seduction Narrative in Britain by Katherine Binhammer. (Review), Rachel Carnell and Katherine Binhammer
Review of Early Modern Nationalism and Milton's England by David Loewenstein and Paul Stevens, Brooke Conti
The Mechanical Saint: Early Modern Devotion and the Rhetoric of Automation, Brooke Conti
The Mechanical Saint: Early Modern Devotion and the Rhetoric of Automation, Brooke Conti
Submissions from 2010
Life without a Primary Text: The Hydra in Adaptation Studies, Jennifer Jeffers
"Reclamation of 'injurious terms' in Emma Donoghue's Fiction, Jennifer Jeffers
Review of The Voice of the Hammer: The Meaning of Work in Middle English Literature, Gregory M. Sadlek
Submissions from 2009
Book Review: Beckett at 100: Revolving It All, Jennifer Jeffers
The Anachronistic Shrews, James J. Marino
Artistic Liberty and Slave Imagery: "Mark Twain's Illustrator," E. W. Kemble, Turns to Harriet Beecher Stowe, Adam Sonstegard
'That Which Marreth All': Constancy and Gender in The Virtuous Octavia, Yvonne Bruce
Deviant Masculinity and Deleuzean Difference in Proust and Beckett, Jennifer Jeffers
"What's it like being Irish?" The Return of the Repressed in Roddy Doyle's Paula Spencer, Jennifer Jeffers
Submissions from 2008
The Transatlantic Pocahontas, Gary Dyer
Religio Medici's Profession of Faith, Brooke Conti
Review of Autobiography and Gender in Early Modern Literature by Sharon Cadman Seelig, Brooke Conti
Discreetly Depicting "an outrage": Graphic Illustration and "Daisy Miller"'s Reputation, Adam Sonstegard
Submissions from 2007
Delarivier Manley's Possible Children by John Tilly, Rachel Carnell
Chaucer in the Dock: Literature, Women, and Medieval Anti-Feminism, Gregory M. Sadlek
Ellison's Rinehart and Count Basie's: Invisible Man and 'Harvard Blues', Brooke Conti
Review of Milton in Popular Culture by Laura Lunger Knoppers and Gregory M Colón, Brooke Conti
The Devotions: Popular and Critical Reception, Brooke Conti
Submissions from 2006
Performing Remediation: The Minstrel, The Camera, and The Octoroon, Adam Sonstegard
Sir Thomas Browne’s Annotated Copy of His 1642 Religio Medici, Brooke Conti
Book Review: Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s, Jennifer Jeffers
Submissions from 2005
Merely a pictorial subject: The Turn of the Screw, Adam Sonstegard
Rhizome National Identity: "Scatlin's Psychic Defense' in Trainspotting, Jennifer Jeffers
Submissions from 2004
More Borrowing from Bellegarde in Delarivier Manley's Queen Zarah and the Zarazians, Rachel Carnell
Reading as a Criminal in Early Nineteenth-Century Fiction, Gary Dyer
Shaping a Body of One’s Own: Rebecca Harding Davis’s Life in the Iron Mills and Waiting for the Verdict, Adam Sonstegard
Shaping a Body of One’s Own: Rebecca Harding Davis’s Life in the Iron Mills and Waiting for the Verdict, Adam Sonstegard
Submissions from 2003
Painting, Photography and Fidelity in The Tragic Muse, Adam Sonstegard
The Power of the Passive Self in English Literature, 1640-1770 by Scott Gordon (Review), Rachel Carnell and Scott Gordon
Donne, Doubt and the Devotions Upon Emergent Occasions, Brooke Conti
Trends in the Contemporary Irish Novel: Sex, Lies, and Gender, Jennifer Jeffers
Submissions from 2001
“Robert Zemekis’ Contact as a Late Twentieth-Century Paradiso.”, Gregory M. Sadlek
"I am the Creator": Birgitta of Sweden's Feminine Divine, Yvonne Bruce
Book Review: Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett, Jennifer Jeffers
Submissions from 2000
Irresolute Ravishers and the Sexual Economy of Chivalry in the Romantic Novel, Gary Dyer
Visualizing Chaucer’s Pilgrim Society: Using Sociograms to Teach the ‘General Prologue’ of the Canterbury Tales, Gregory M. Sadlek
The Pathology of Rhetoric in Coriolanus, Yvonne Bruce
Submissions from 1999
Revising Tragic Conventions: Aphra Behn's Turn to the Novel, Rachel Carnell
It's Not Easy Being Green: Gender and Friendship in Eliza Haywood's Political Periodicals, Rachel Carnell
The Psychology of Uncertainty: (Re)Inscribing Indeterminacy in Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin
Submissions from 1998
Feminism and the Public Sphere in Anne Brontë's The Tenant of Wildfell Hall, Rachel Carnell
Clarissa's Treasonable Correspondence: Gender, Epistolary Politics, and the Public Sphere, Rachel Carnell
Racial Etiquette and the (White) Plot of Passing:(Re) Inscribing" Place" in John Stahl's Imitation of Life, Adrienne Gosselin
The World Would Do Better to Ask Why is Frimbo Sherlock Holmes?: Investigating Liminality in Rudolph Fisher's The Conjure-Man Dies, Adrienne Gosselin
"A slot without an occupant": Krapps Rhizome Identity, Jennifer Jeffers
John Gower’s Confessio Amantis, Ideology, and the ‘Labor’ of ‘Love’s Labor', Gregory M. Sadlek
Submissions from 1997
Ivanhoe, Chivalry, and the Murder of Mary Ashford, Gary Dyer
A Sublime Event: Gordon Craig's Uber-marionette in Samuel Beckett's Late Drama, Jennifer Jeffers
Submissions from 1996
Performance Review: "Women don't have prostates': Woman Impersonating a Man Impersonating Krapp', Jennifer Jeffers
The Silent Protagonist, Jennifer Jeffers
Bahktin, the Novel, and Chaucer's Troilus and Criseyde, Gregory M. Sadlek
Bakhtin, the Novel, and Chaucer’s Troilus and Criseyde, Gregory M. Sadlek
Submissions from 1995
Beyond Irony: The Unnamable's Appropriation of Its Critics in a Humorous Reading of the Text, Jennifer Jeffers
The Politics of Representation: The Role of the Gaze in Pornography, Jennifer Jeffers
Submissions from 1993
Interpreting Guillaume de Lorris’ Oiseuse: Geoffrey Chaucer as Witness, Gregory M. Sadlek
Submissions from 1992
The Image of the Devil's Five Fingers in the South English Legendary's "St. Michael" and in Chaucer's Parson's Tale, Gregory M. Sadlek
